Abstract
The poetry and music of the troubadours who lived in the medieval kingdoms of southern France known collectively as Occitania contributed to a flowering of literary, musical and artistic culture in the eleventh and twelfth centuries.
The troubadours were composers and singers of poetry. They numbered some four hundred men and a much smaller group of women called the trobairitz; men and women of noble birth, but many others of more modest origins. Their
compositions are grouped according to genre; the satirical song (the sirventes), the funeral lament (the pianh), songs of debate and playful philosophical discussions about love (the tenson and the partimen), and the love poem (the canso).